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Jamie Holdham

Beethoven - Symphony No.9. Mvt.3. {Performance + Full Score.} [Unfinished.]

Jamie Holdham

2:14	Est. Play Time
63	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	11	3	1	4	100%
Violino II	10	4	0	4	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	11	3	1	4	100%
Violino II	10	4	0	4	100%
Violoncello	11	0	2	5	100%
Violino I	14	0	1	5	89%
2 Fagotti	13	10	0	4	61%
2 Klarinetti in B	13	12	1	3	57%
I. II in B 4 Corni III. IV in Es	8	9	0	4	48%
Horn in E♭	5	0	0	5	47%
Contrabasso	1	0	0	1	5%
Timpani	2	0	1	2	5%

Bach - Missa in F Major, Gloria. {Professional production full score.} Unfinished.

Jamie Holdham

1:07	Est. Play Time
89	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.	13	0	1	3	100%
Violino I.	16	0	2	4	100%
View all 12 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.	13	1	3	100%
Violino I.	16	2	4	100%
Violino II.	15	1	4	100%
Viola.	16	2	3	97%
Oboe I.	15	2	5	77%
Oboe II.	12	1	5	77%
Corno I.	10	0	4	63%
Corno II.	9	0	4	57%
Basso.	13	1	3	47%
Tenore.	13	2	3	43%
Alto.	11	1	2	27%
Soprano.	12	1	2	23%

Gustav Holst - Venus. {Professional production full score.}

Jamie Holdham

2:45	Est. Play Time
145	Measures
	1,166Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I II	19	23	5	5	58%
	12	9	5	6	67%
View all 23 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I II	19	23	5	5	58%
	12	9	5	6	67%
III IV	17	15	5	5	61%
	10	3	3	4	40%
3 OBOES	19	15	6	5	53%
1st Violins	14	0	2	7	53%
3 CLARINETS in B♭	22	26	10	6	52%
2nd Violins	9	0	2	7	43%
Harp I	15	19	2	1	30%
	3	1	0	1	17%
English Horn	2	0	1	4	30%
Violoncellos	13	0	2	4	30%
DOUBLEBASSES	7	0	0	4	23%
Harp II	13	14	2	1	22%
	9	7	2	1	19%
3 BASSOONS	5	2	0	2	20%
Bass Clarinet in B♭	7	0	1	4	17%
V VI	2	1	0	1	9%
Celesta	4	0	0	1	4%
	4	3	1	1	4%
DOUBLE BASSOON	1	0	0	2	4%
Glockenspiel	4	0	0	2	4%
Violas	8	0	1	2	4%

Beethoven - Symphony No.9. Mvt.1. {Performance + Full Score}. [Unfinished.]

Jamie Holdham

0:01	Est. Play Time
146	Measures
	1,181Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino II	21	14	4	8	100%
Violoncello	15	4	2	9	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino II	21	14	4	8	100%
Violoncello	15	4	2	9	100%
I. II in D 4 Corni III. IV in B Basso	10	10	0	8	95%
2 Clarinetti in B	22	20	4	8	93%
Violino I	20	7	4	8	88%
Viola	17	7	3	8	77%
2 Oboi	19	21	5	8	75%
Contrabasso	14	0	2	8	73%
2 Flauti	19	19	4	8	65%
2 Fagotti	25	17	8	8	61%
Horn in B♭ basso	9	4	1	8	46%
2 Trombe in D	5	2	0	8	42%
Timpani in D-A	2	0	0	5	41%

Schubert - Symphony No.8. {Professional production full score.} Unfinished.

Jamie Holdham

2:14	Est. Play Time
117	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso.	14	0	1	4	96%
Violoncello.	14	0	1	7	93%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso.	14	0	1	4	96%
Violoncello.	14	0	1	7	93%
Clarinetti in A.	14	11	5	5	80%
Viola.	12	4	3	2	76%
Violino I.	18	5	5	6	65%
Violino II.	16	4	4	6	65%
Oboi.	12	2	4	5	64%
Corni in D.	7	4	0	5	59%
Fagotti.	11	10	2	5	46%
Flauti.	9	1	0	5	34%
Trombone	3	0	0	3	11%
	4	2	1	3	9%
Timpani in H.Fis.	2	0	1	2	11%
Trombe in E.	4	3	0	2	11%

Paganini - Sonata per la Grand Viola e Orchestra. {Professional production full score.} Unfinished.

Jamie Holdham

1:49	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Double Bass	10	0	3	4	76%
Viola	13	12	2	4	76%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Double Bass	10	0	3	4	76%
Viola	13	12	2	4	76%
Violin 1	21	7	5	4	76%
Violin 2	10	9	2	4	76%
Violoncello	11	0	3	4	76%
Timpani	2	0	0	2	64%
Bassoon	7	0	1	1	40%
Clarinetti in B♭	10	8	1	2	40%
Corni in C	4	2	0	2	36%
Vla.Solo	26	0	5	8	36%
Oboi	11	8	1	1	32%
Flauti	7	6	1	1	16%
Trumpet in C	2	1	0	1	12%
Trombones	6	3	1	1	8%

Richard Wagner - ENDE.zu.PARSIFAL in Full score.

Jamie Holdham

3:16	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Viol.	19	6	4	8	100%
II.	20	5	7	11	100%
View all 25 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Viol.	19	6	4	8	100%
II.	20	5	7	11	100%
Br. (get)	22	6	8	11	91%
Violas	21	6	7	11	91%
Vcl.	18	4	4	12	77%
III. IV.	12	12	5	7	59%
K.B.	10	0	1	7	55%
I.	11	0	2	6	41%
	12	0	2	7	50%
I. Klar. in B.	10	0	0	7	45%
III.	6	0	1	6	27%
	10	0	1	7	41%
	2	0	1	2	14%
	10	0	1	7	36%
Fl. II.	9	0	1	7	41%
I.II. Pos.	13	14	0	7	36%
I.II. Fag.	7	2	3	5	32%
II. III.	8	0	5	5	32%
I. II. Horn in F.	9	12	3	6	27%
II.III.	9	9	2	6	27%
Althob.	7	0	1	6	27%
Hob. II.	6	0	0	6	27%
Bab-Tb.	2	0	0	4	23%
I. Trp. in F.	4	3	0	1	9%
Pk.	1	0	0	1	9%

Wagner - Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

2:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	5	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Wagner - Siegfried Akt 2: Siegfried vs Fafner in Full score.

Jamie Holdham

1:38	Est. Play Time
48	Measures
	1,629Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	5	94%
Bass Trombone	26	0	14	5	94%
View all 30 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	5	94%
Bass Trombone	26	0	14	5	94%
Bass-Tuba. (in C.)	19	0	9	5	94%
Contrabasse Posaunen.	24	0	13	5	94%
Contrabasse Tuben.	26	0	13	5	94%
Bassclarinetten.	18	0	7	5	88%
BRATSCHEN.	24	14	9	5	85%
Violoncelle.	31	5	14	6	83%
Contrabasse.	22	3	10	7	81%
I. Violinen. II.	27	4	11	6	75%
Bass-Tuba. (in B.)	28	0	12	4	75%
Violins	27	4	11	6	75%
Horner. (in F.)	16	2	5	5	70%
Horn in F	15	2	5	5	70%
F Trumpet	2	0	1	4	13%
	12	0	1	6	65%
Tenor-Tuba. (in Es.)	21	1	9	4	63%
Clarinetten. (in Bb.)	13	4	5	5	61%
B♭ Clarinet	27	3	11	5	57%
(2 Tenor.) 3 Posaunen. (1 Basse.)	14	0	4	6	54%
Tenor Trombone	15	0	4	6	54%
3 Hoboen.	13	6	4	5	54%
2 Trompetten. (in F.)	14	1	2	5	52%
Oboe	16	4	6	5	51%
Englishes Horner.	16	0	6	5	50%
Bass Trompeten. (in D.)	9	0	3	6	38%
Flute	4	2	2	3	24%
3 Floten.	6	0	2	4	19%
Timpani	3	0	1	4	15%
2 Pauken.	3	0	1	4	10%

Wagner - Tristan und Isolde Vorspiel to Akt 3. {Professional production full score.}

Jamie Holdham

0:01	Est. Play Time
97	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	28	0	8	6	47%
Violins	26	0	9	6	47%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	28	0	8	6	47%
Violins	26	0	9	6	47%
Violoncelli.	23	2	6	5	43%
Englishches Horn.	20	0	6	10	43%
Bratschen.	19	0	8	5	40%
Kontrabasse.	12	0	3	6	34%
Violoncellos	14	2	4	3	24%
Bassoon	6	0	1	3	23%
II. in F.	10	0	2	4	20%
Fag.	11	0	4	6	14%
Violas	13	0	6	5	9%
I. in F.	13	0	5	3	8%
Hob.I.	10	0	6	4	6%
B♭ Clarinet	8	0	4	6	5%
IV. in E.	6	0	2	3	5%
III. in E.	9	0	3	4	4%
Klar. in B.	6	0	2	3	2%

Die Miestersinger Prelude to Act III - Richard Wagner.

Jamie Holdham

0:01	Est. Play Time
30	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncelle.	15	0	3	6	84%
Bratsche.	11	0	3	5	58%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncelle.	15	0	3	6	84%
Bratsche.	11	0	3	5	58%
2.	8	0	2	4	32%
1 Violinen.	7	0	1	4	26%
Fg.1	8	0	2	5	26%
Fg.2	9	0	2	7	26%
Hr.1 in D.	8	0	1	5	26%
Hr.2 in D.	5	0	0	3	26%
Hr.3 in D.	4	0	1	3	26%
Hr.4 in D.	6	0	1	4	21%
3 Pos.	7	3	1	2	16%
2 Trp. in D.	3	1	1	3	11%
B.T.	2	0	0	2	11%

Wagner - Die Miestersinger von Nurnberg Overture to Akt 3. [Professional production full score.]

Jamie Holdham

7:34	Est. Play Time
68	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
View all 20 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
1. Violinen. 2.	34	0	10	8	55%
Violins	26	0	9	8	54%
2 Fagotte.	18	0	4	8	47%
Bassoon	17	0	4	9	40%
Hr.3 in D.	15	0	2	6	32%
Hr.2 in D.	12	0	2	6	29%
Hr.1 in D.	12	0	1	5	29%
Hr.4 in D.	14	0	2	5	28%
Contrabass.	14	1	4	5	27%
2 Clarinetten. (in A.)	18	0	4	7	27%
3 POSAUNEN.	11	4	1	5	15%
Hoboen.	9	0	1	5	15%
Hr in E.	7	0	1	5	9%
Trombone	6	0	2	4	9%
2 Trompetten. (in D.)	6	1	0	4	9%
2 grosse Floten.	11	1	2	3	7%
A Clarinet	9	0	1	2	6%
BASS.TUBA.	7	0	2	3	6%

Wagner - Tristan und Isolde Overture to Akt 3. Professional production full score.

Jamie Holdham

10:07	Est. Play Time
98	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	28	0	8	6	47%
Violins	26	0	9	6	47%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	28	0	8	6	47%
Violins	26	0	9	6	47%
Violoncelli.	23	2	6	5	43%
Englishches Horn.	20	0	6	10	42%
Bratschen.	20	0	8	5	40%
Kontrabasse.	12	0	3	6	34%
Violoncellos	14	2	4	3	24%
Bassoon	6	0	1	3	23%
II. in F.	10	0	2	4	20%
Fag.	11	0	4	6	13%
Violas	13	0	6	5	9%
I. in F.	13	0	5	3	8%
Hob.I.	10	0	6	4	6%
B♭ Clarinet	8	0	4	6	5%
IV. in E.	6	0	2	3	5%
III. in E.	9	0	3	4	4%
Klar. in B.	6	0	2	3	2%

Wagner - A Faust Overture. [Professional production full score.] Unfinished.

Jamie Holdham

1:04	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	10	0	3	8	77%
Violas	15	0	5	7	69%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	10	0	3	8	77%
Violas	15	0	5	7	69%
Timpani	1	0	0	1	54%
Violoncellos	11	0	4	3	54%
Bassoon	9	4	4	2	53%
	5	0	1	2	46%
Violins	6	0	1	7	46%
	10	0	3	4	38%
B♭ Clarinet	2	0	0	5	33%
Flute	2	0	0	5	33%
Oboe	2	0	0	5	33%
Tuba	7	0	1	6	23%
Horn in D	2	1	0	2	15%
Horn in F	2	1	0	1	8%

Wagner - Gotterdamerung Vorspiel to Akt 3. {Professional production full score.}

Jamie Holdham

4:01	Est. Play Time
73	Measures
	1,436Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	23	1	8	6	66%
BRATSCHEN.	23	2	5	6	66%
View all 29 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	23	1	8	6	66%
BRATSCHEN.	23	2	5	6	66%
Violoncelle.	21	1	4	7	57%
VIOLINEN.	24	2	8	7	55%
Contrabasse.	12	0	2	5	54%
B♭ Clarinet	2	0	1	2	1%
	12	0	2	5	32%
	17	0	6	6	54%
Horn in F	14	0	1	6	48%
	12	0	0	6	16%
	8	0	0	4	12%
	16	0	0	6	15%
	7	0	0	4	11%
	12	0	0	9	38%
	14	0	1	6	25%
HORNER.(F.) 1.3.5.u.7.	12	0	0	4	33%
CLARINETTEN.	15	0	4	4	32%
FAGOTTE.	5	1	0	7	22%
1 HORN.(F.)	7	0	0	9	21%
Hoboen.	10	0	1	6	15%
Contrabasses	2	0	0	2	14%
3 POSAUNEN	6	0	2	1	12%
CONTRABASS- POSAUNE.	1	0	1	2	12%
CONTRABASS- TUBA.	1	0	1	2	12%
1 STEIERHORN.	1	0	0	3	5%
HORNER. (C.) (verstarkt.)	3	0	0	6	5%
BASS-TROMPETTE.	4	0	1	3	3%
Bassoon	2	1	0	1	3%
TROMPETTE.	4	0	0	3	3%